El día que me quieras: History, Myth and Che Guevara

John Hess


At the end of a Cuban documentary, called «Che Comandante, Amigo,» (Bernabé Hernández, 1977), we see the following sequence of images: murals and posters with Che's image, crowds of exuberant young Cubans run toward the camera, and then a young boy, about five or so with flowing blonde locks, also runs toward the camera laughing, and then the final image: a painting of Che as Christ with a crown of thorns.

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