The figure of the Film Commission in the put in value of the technical and professional audiovisual resources of a territory in Spain

Isabel Sarabia Andúgar, Josefina Sánchez Martínez

Abstract


The interest in turning a territory into a setting for the filming of cinematographic audiovisual productions, television series or any other type of audiovisual product, constitutes the main engine of the start-up of a Film Office or Film Commission in any locality, region, province or region.

The mission of a filming office is to highlight, not only the benefits of landscapes, monuments, climate of a territory or the ability of its people to host filming equipment (logistics, predisposition of citizens), but also to give visibility to the technical and human audiovisual resources with which a shooting team arrived in a locality could count on in that environment.

This research aims to study the figure of the Film Commission and its contribution to the dynamization of production in a territory through the enhancement of the local audiovisual sector -companies and specialized technicians- as an attractiveness of the territory.

Keywords


Film Commission; Producción audiovisual; Recursos profesionales; Promoción del territorio

Full Text:

PDF (Español)

References


AFCI. (2019). Association of Film Commissioners International. Recuperado de https://www. https://afci.org/

Andalucía Film Commission. (2013). Informe de actividad 2013. Recuperado de http://www.andaluciafilm.com

Andalucía Film Commission. (2014). Informe de actividad 2014. Recuperado de http://www.andaluciafilm.com

Andalucía Film Commission. (2015). Informe de actividad 2015. Recuperado de http://www.andaluciafilm.com

Andalucía Film Commission. (2016). Informe de actividad 2016. Recuperado de http://www.andaluciafilm.com

Andalucía Film Commission. (2017). Informe de actividad 2017. Recuperado de http://www.andaluciafilm.com

Bellas, R. (2003). Consideraciones sobre estructura, funciones y operativa de las comisiones fílmicas. En M. Martínez (dir.), Las comisiones fílmicas. Un dispositivo para la promoción audiovisual. Sevilla: Comunicación Social.

Cucco, M. y Richeri, G. (2011). Film commission as a driver for economic and cultural development. Conference Proceedings. Fourth Euro-Mediterranean Dialogue on Public Management. Rabat.

Cucco, M. y Richeri, G. (2013). Il mercato delle location cinematografiche. Venezia: Saggi Marsilio.

Figueira, A.P., Figueira, V. y Monteiro, S. (2015). Tourism and cinema: the importance of a film commission in promoting the destination Aletenjo. International Journal of Scientific Management Tourism, 3, pp. 29-37.

Ghedini, O.P. (2007). Le Film commission: esperienze e prospettive, le situazioni del federalismo. Rivista Studi giuridici e politici della Regione Emilia Romagna, 4, pp.29-37.

Jacoste, J. (1996). El productor cinematográfico. Madrid: Síntesis.

Martínez, M. (2003). Las comisiones fílmicas, un nuevo dispositivo para la promoción audiovisual. En Martínez, M. (dir.), Las comisiones fílmicas. Un nuevo dispositivo para la promoción audiovisual. Sevilla: Comunicación social.

Osácar, E. (2009). Del turismo y el cine al turismo cinematográfico. HER&MUS, 2, pp. 18-25.

Palmi, P., Caputo, F. y Turco, M. (2016). Changing Movie! Film Commissions as drivers for creative film industries: the Apulia Case. ENCATC Journal of Cultural Management & Policy, 6, (1), pp. 56-72.

Pardo, A. (2014). Fundamentos de producción y gestión de proyectos audiovisuales. Barañaín: Eunsa.

Ramahí, D. (2011). Nuevas estrategias comunicativas de ámbito local. El caso de las film commissions u oficinas de atracción de rodajes. En La Publicidad de las instituciones locales. Castelló: Servicio de Publicaciones de Universidad Jaume I.

Rosado, C. y Querol, P. (2006). Cine y turismo. Una nueva estrategia de promoción. Madrid: Ocho y Medio.

Spain Film Comission (2017). Quiénes somos. Recuperado de: http://www.shootinginspain.info/es/quienes-somos




DOI: https://doi.org/10.1344/THJ.2019.0.113-132

Refbacks

  • There are currently no refbacks.


Copyright (c) 2019 Isabel Sarabia Andúgar, Josefina Sánchez Martínez

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
RCUB revistesub@ub.edu Avís Legal RCUB Universitat de Barcelona