Cinematic Contextual History of High Noon (1952, dire Fred Zinnemann)

José María Caparrós Lera, Sergio Alegre


The post-war American atmosphere and the never well-seen social problem cinema -especially thriller film noir- are the major reasons to understand why during the Forties Hollywood was purged by the self- called the most liberal and democratic government of the world

Texto completo:

PDF (English)

Enlaces refback

  • No hay ningún enlace refback.
RCUB Avís Legal RCUB Universitat de Barcelona