Plants as Performers (and More): Rethinking Agency in the Multispecies Performance Ikebana

Authors

DOI:

https://doi.org/10.1344/jnmr.v10i.49365

Keywords:

Agency, Human-plant relationships, Plant art, Plant turn, Performance art

Abstract

This article studies plant agency in a multispecies performance Ikebana (2022) by Fern Orchestra. The performance is not only made with, but also for plants. Through a participatory case study, this article demonstrates how due to the plant turn, as described by Natasha Myers (2015), plants in contemporary art are no longer seen as passive objects of artistic expression – which would be the case in traditional art history. Instead, they have become active agents in the formation of works of art. This shift challenges the anthropocentric view of art as a human creation only. Importantly, it also calls humans to reposition themselves in the multispecies environment more widely and therefore, as I argue, it has the potential to provoke change in anthropocentric societies. 

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Author Biography

Jenni Vauhkonen , University of Turku, Finland

Jenni Vauhkonen is a doctoral researcher in the Department of Art History at the University of Turku, Finland. In her multidisciplinary research, combining art history, biology and philosophy, she focuses on living plants and their agency in the field of contemporary art. Her work is situated at the intersection of environmental humanities, critical plant studies and new materialist art research. 

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Published

2025-02-06

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Section

Media Arts & Culturing