POESÍA CORPORAL/DANZA VERBAL: UNA LECTURA COMPARADA DE HNUY ILLA

Authors

  • Iratxe Retolaza EHU-UPV

Keywords:

non-lyric poetry, performativity, dance, transgender/transgenre

Abstract

The show Hnuy illa, coproduced by the Kukai Dance Company and the Tanttaka Theater Company in 2008, is articulated in the intersection between dance and poetry. This dance show is based on the poetic imaginary of Basque writer Joseba Sarrionandia. We believe that this cultural transference, from the poetic to the choreographic text, offers a fitting interpretative framework to reflect on representations of the body and voice: it allows us to analyze instances of body and voice in the poetic text and how these are represented. Moreover, it helps to consider how these corporal presences and representations are transferred into dance.

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How to Cite

Retolaza, I. (2014). POESÍA CORPORAL/DANZA VERBAL: UNA LECTURA COMPARADA DE HNUY ILLA. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (9), 95–110. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/10901

Issue

No. 9 (2013): Critical Basque Studies

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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