THE BELARUS FREE THEATRE: PERFORMING RESISTANCE AND DEMOCRACY

Authors

  • Kathleen Elphick Independent scholar

Keywords:

public space, dictatorship, theatre, performative resistance

Abstract

This article examines the struggle between the dictatorship of the Lukashenko government and the Belarus Free Theatre over performance space in Minsk. As a performance of power, the state restricts the ability of the Free Theatre to perform in Minsk, forcing them to stage their theatre underground. The Belarus Free Theatre counters this censorship by enacting a form of ‘performative resistance’ that redefines modes of political participation and facilitates the creation of democratic spaces through the event of their performances.

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How to Cite

Elphick, K. (2014). THE BELARUS FREE THEATRE: PERFORMING RESISTANCE AND DEMOCRACY. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (10), 111–127. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/10920

Issue

No. 10 (2014): Theatre and Dictatorship in the 20th Century

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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