Teatro y crisis en Argenina: El lnguaje como resistencia

Authors

  • Silvina Alejandra Díaz Universidad de Buenos Aires CONICET

Keywords:

teatro, lenguaje, poética, crisis, política, sociedad

Abstract

Este artículo analiza el modo en que la crisis social, política, económica e institucional en Argentina de fines de 2001 impactó en la esfera teatral, específicamente en el campo de la dramaturgia.  En un contexto de crisisi e inestabilidad el teatro asume y plantea un debate acerca de nuestra identidad, la necesidad de la memoria y la función social del arte. Analiamos algunos aspectos de la obra de dos dramaturgos fundamentales durante los años de crisis: Griselda Gambaro, vinculada con la poética del realismo crítico, y Daniel Veronese, asociado con un modelo más experimental e innovador. Ambos dramaturgos apelaron a diversas estrategias estilísticas, recursos poéticos y comunicativos para simbolizar y dar visibilidad a lo conflictos sociales.

Author Biography

Silvina Alejandra Díaz, Universidad de Buenos Aires CONICET

Doctora en Historia y Teoría de las Artes, Universidad de Buenos Aires/ Investigadora asistente del Conicet/ Docente en la Facultad de Filosofía y Letras, Universidad de Buenos Aires

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Published

2016-07-31

How to Cite

Díaz, S. A. (2016). Teatro y crisis en Argenina: El lnguaje como resistencia. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (15), 130–145. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/14952

Issue

No. 15 (2016): Five Years After Spain’s 15-M: Narratives of the Economic and Political Crisis

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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