Parcelas de vida: el arte y sus restos

Authors

  • Isabel Alicia Quintana Universidad de Buenos Aires Consejo Nacional de Investigación científica, educativa y tecnológica (CONICET)

Keywords:

arte, vida, cuerpo, enfermedad, resto

Abstract

En este trabajo analizo la relación entre arte y vida a partir del vínculo entre cuerpo, enfermedad y libertad. La novela de Lina Meruane, Fruta podrida y la película de Laura Citarella y Verónica Llinás, La mujer de los perros, interpela el lugar asignado a los cuerpos precarios que articulan otra forma de circulación de bienes y subjetividades en el régimen biopolítico. Texto e imagen construyen una figura  de la descomposición, pero también de la recomposición de un cuerpo como un corpus. Hacen visible las vidas no consideradas como tales. Ponen a funcionar la existencia como el resto que impide la clausura de sentido.

Author Biography

Isabel Alicia Quintana, Universidad de Buenos Aires Consejo Nacional de Investigación científica, educativa y tecnológica (CONICET)

Investigadora Independiente del CONICET.

Profesora Adjunta de la cátedra de Teoría y Análisis Literario de la Facultad de Filosofía y Letras, UBA

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Published

2017-07-31

How to Cite

Quintana, I. A. (2017). Parcelas de vida: el arte y sus restos. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (17), 122–138. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/17651

Issue

No. 17 (2017): Literature, Images, and Politics of Life

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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