AN UNATTAINABLE RESIDENCE: ARCHIVE AND MONTAGE IN 'LA ANUNCIACIÓN' BY MARÍA NEGRONI

Authors

  • Maria José Punte UCA, IIEGE (UBA)

Keywords:

memory, archive, history, montage, María Negroni, novel

Abstract

La Anunciación (The Annunciation, 2007), María Negroni’s second novel, carries out an archival task, just like her previous novel El sueño de Úrsula (Ursula’s Dream, 1998) did, although focusing on a different collection. As Ana Porrúa has already noted about some of María Negroni’s essays, it is possible to recognize in her work an “archive of poetical imagination,” which is shaped through a special reading of Modernity. Negroni’s passion for collecting, as her readers already know, is drawn towards anything having to do with the Gothic, the fantastic, fin de siècle, avant-garde. What characterizes her collection, however, is found in the procedure of montage that, as we will analyse here, is specifically connected with an epistemological conception.

Author Biography

Maria José Punte, UCA, IIEGE (UBA)

Profesora titular del Seminario de Análisis del Discurso y profesora adjunta de Literatura Argentina, Universidad Católica Argentina

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Published

2018-01-31

How to Cite

Punte, M. J. (2018). AN UNATTAINABLE RESIDENCE: ARCHIVE AND MONTAGE IN ’LA ANUNCIACIÓN’ BY MARÍA NEGRONI. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (18), 16–30. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/19095

Issue

No. 18 (2018): The Paradigm of the Archive in Contemporary Narrative and Visual Culture

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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