Tristram Shandy and Michael Winterbottom's library

Authors

  • Víctor Escudero Universitat de Barcelona

Keywords:

Tristram Shandy, Laurence Sterne, cinema and literature, Michael Winterbottom, adaptation, postmodernism

Abstract

This article enquires the critical tradition behind Michael Winterbottom's reading of Sterne’s Tristram Shandy for his film adaptation of the novel (2005). The English filmmaker takes up a long genealogy of readings that have focused on the formal mechanisms and parody devices of the novel, which goes back to the Russian formalists. This genealogy overrides the contextual anchors of the novel and generally leads to its dehistoricization. This dehistoricization serves as a basis for the aesthetic appropriation that takes place in the film and the re-functionalization of a large part of these formal mechanisms.

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Published

2018-07-31

How to Cite

Escudero, V. (2018). Tristram Shandy and Michael Winterbottom’s library. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (19), 57–71. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/21443

Issue

No. 19 (2018): The Artists’ Library: Uses of Literary Thought in Film and Visual Arts (1975-2015)

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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