Music in the Cinematographic Realism of Eric Rohmer

Authors

  • Xavier Hernàndez i Garcia Universitat de València

DOI:

https://doi.org/10.1344/452f.2021.25.12

Keywords:

Essay | Music | Cinema | Eric Rohmer | Interdisciplinarity | Realism

Abstract

This paper reflects on the presence of music in Eric Rohmer’s essays and cinematographic work from an interdisciplinary perspective that considers the author’s thoughts on other arts, especially literature and cinema. Our aim is to show the important reflection on artistic creation and reception that Rohmer made through the literary genre of the essay and that he implemented in his films. His realistic perspective inspired by Bazin’s film criticism and Balzac’s literary work influenced his way of conceiving and using music in cinema.

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Published

2021-07-30

How to Cite

Hernàndez i Garcia, X. (2021). Music in the Cinematographic Realism of Eric Rohmer. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (25), 212–228. https://doi.org/10.1344/452f.2021.25.12

Issue

No. 25 (2021): Crisis, Pandemics, and Counter-hegemony: Reading Paradigm Shifts across World Literature

Section

Miscellaneous

License

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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