Uncertainty and Narrative Difference in Los acuáticos by Marcelo Cohen: An Epistemology of the Unknown

Authors

  • Nicolás García Universidad Nacional del Sur

DOI:

https://doi.org/10.1344/452f.2021.25.13

Keywords:

Marcelo Cohen | Uncertainty | Différance | Focalization | Epistemology

Abstract

Making meaning baroque, due to the multiplication of writing, is a compositional element that contemporary criticism of Marcelo Cohen has understood in light of the theories that his essay work and the very essayistic nature of his theoretical fiction summons. The following study will be dedicated to ratifying this idea by subscribing to a formalist approach that it is dedicated to restoring the procedures of narrative uncertainty as they are manifested in the collection of stories that make up Los acuáticos.

Author Biography

Nicolás García, Universidad Nacional del Sur

Profesor de Lingüística y Teoría Literaria en ISFDyT N°33

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Published

2021-07-30

How to Cite

García, N. (2021). Uncertainty and Narrative Difference in Los acuáticos by Marcelo Cohen: An Epistemology of the Unknown. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (25), 229–246. https://doi.org/10.1344/452f.2021.25.13

Issue

No. 25 (2021): Crisis, Pandemics, and Counter-hegemony: Reading Paradigm Shifts across World Literature

Section

Miscellaneous

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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