Memories of Bomb Shrapnel in Barcelona
DOI:
https://doi.org/10.1344/452f.2022.26.8Keywords:
Montserrat Roig, Ramona, adiós, chronotope, internal exileAbstract
The present article aims to analyze the construction of the in Monterrat Roig’s Ramona, Adiós (1972) as a means of discussing the process of exile resulting from the Francoist dictatorship. In order to do so, I assume the possibility of understanding exile as a condition in which people who stayed in Spain during Franco’s regime found themselves, as proposed in the novel El exilio interior by Miguel Salabert. I will examine fragments of Roig’s work in which the three protagonists wander through the streets of Barcelona in different periods of time, believing this analytical method might disclose the daily life of persons suffocated during/in a time-space of exception.
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