Notes for the Study of Contemporary Science Fiction Cinema (2008-2022)

Authors

  • Roberto Chuit Roganovich Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) - Instituto de Humanidades (IDH) - Universidad Nacional de Córdoba (UNC) https://orcid.org/0000-0001-9691-9932

DOI:

https://doi.org/10.1344/452f.2023.28.3

Keywords:

science, fiction, cinema, politics, distopia, utopia

Abstract

Contemporary science fiction cinema appears as a genre that would seem to call into question the story of the irrevocability of capitalism, a capitalism that narrates itself as the end of history and as a necessary episode of a natural and teleologized history of man in community. Thus, science fiction, as perhaps in no other genre, makes practical the question about possible worlds by taking as raw material, and sometimes unconsciously, the pulse of the ideological vanishing points of contemporary capitalism. The questions that we are interested in resolving throughout this work are, then, how are these “real” political crises recognized in the expressions of contemporary science fiction? In what way are they modeled and in what ways, if any, are they resolved narratively?

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Published

2023-01-31

How to Cite

Chuit Roganovich, R. (2023). Notes for the Study of Contemporary Science Fiction Cinema (2008-2022). 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (28), 36–55. https://doi.org/10.1344/452f.2023.28.3

Issue

No. 28 (2023): Populist Culture: Aesthetic Responses to Populism from a Global Perspective

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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