No. 19 (2018): The Artists’ Library: Uses of Literary Thought in Film and Visual Arts (1975-2015)

Published: 2018-07-31

Editorial

The Artists’ Library: Uses of Literary Thought in Film and Visual Arts (1975-2015)

Annalisa Mirizio
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Monograph

Notes on Zama

Nora Catelli

22-28
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(Bare)footed footprints: Traces and Displacements on Heidegger's Aesthetic Theory in Doris Salcedo's Atribiliarios

Romina Wainberg

29-39
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The baroque archive in The Death of Luis XIV

Virginia Trueba Mira

40-56
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Tristram Shandy and Michael Winterbottom's library

Víctor Escudero

57-71
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Books of good memory. Reading about the activist past in new Argentine cinema: Los rubios, by Albertina Carri and M, by Nicolás Prividera

Diego Peller

72-87
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Ghosts of words. Mise-en-scène of texts in Jacques Rivette, Manoel de Oliveira, Rita Azevedo and Matías Piñeiro

Alex Pena Morado

88-101
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From expanded art to expanded literature. An approach to the possibility of expanding literature in contemporary visual arts

Paula Juanpere

102-113
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Versions and conversions of the serial killer. Scenes in the gothic museum in The Fall

Ariel Gómez Ponce

114-132
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Miscellaneous

The discourse on love and the Imaginary dimension: a theory on language and writing in works by Jacques Lacan and Roland Barthes

Maider Tornos Urzainki

134-154
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Barthes and essay writing: theory of the essay in «Roland Barthes by Roland Barthes»

Rafael Andugar Sousa

155-175
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Setting up of an instant, from visual arts to literature: Lessing, Diderot and Flaubert

Nicolás Martín Olszevicki, Jorge Luis Caputo

176-194
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The rhetoric of self-help books

Isabel González Gil

195-214
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Critic's Notes

O dispositivo de leitura de Haroldo de Campos e os usos da biblioteca

Max Hidalgo Nácher

216-231
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Reviews

Historias de la desaparición: El cine desde Franz Kafka, Jacques Tourneur y David Lynch

María Josefina Vega Jaimerena

232-234
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Límites de la ficción

Pierluigi Manchia Benito

235-238
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La crítica en espiral

Sheila Pastor

239-241
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Naturaleza de lo invisible

Fernando Candón Ríos

242-246
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En busca del eco primigenio

Obed González Moreno

247-248
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