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The fragile exchange between domesticity and ecology in the work of Jacqueline Spedding

Authors

  • Honi Ryan Paris College of Art

DOI:

https://doi.org/10.1344/co20233513-25

Abstract

Biome | Home was an exhibition by Jacqueline Spedding held at the Blue Mountains City Art Gallery, in Katoomba, Australia in the immediate wake of the outbreak of the COVID-19 pandemic, from September to November 2020. Looking at these dates, one wonders whether anyone was able to visit the exhibition at all. Imagining this exhibition abandoned, devoid of people due to a biological disaster, is a pertinent association to the images presented across the installation.

Author Biography

Honi Ryan, Paris College of Art

Honi Ryan is an artist, writer, and educator with a nomadic social practice. Born in Melbourne and based between Berlin and Paris, Ryan holds an MFA from the Transart Institute and is adjunct faculty at Paris College of Art. Ryan’s work is socially motivated and engages participatory action to develop political and ecological issues. Ryan is the founding artist of the international performance art project the Silent Dinners which she has performed in 20 cities across 12 countries. Her work and critical writing was recently included in Creative Paths at Gaiás Museum Galicia, Spain alongside artists including Francis Alÿs, Mona Hatoum, and Marina Abramović. Ryan represented Germany at the Lahore Biennale 2016 and Karachi Biennale 2017. She has exhibited, performed, taught, and participated in residency programs internationally, with recent focus in Australia, Pakistan, Germany, and France.

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Published

2024-03-19

Issue

No. 35 (2023): Wounded landscapes: Human intervention into natural ecosystems. Cultural approaches and artistic responses

Section

Articles

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