Coda: Persistence at the End of Civilisation

Migration and The Climate Emergency

Authors

  • Honi Ryan Paris College of Art

DOI:

https://doi.org/10.1344/co20233595-114

Abstract

Honi Ryan reflects on the theme of the journal, Wounded Landscapes, in a visual essay that traces her series of ecologically centred performative installations Persistence at the End of Civilisation, a body of work about climate migration, produced between 2020–21. It comprises sculpture, painting, photography, video, food, participation, embodiment and movement, research and text; as well as sound, text, and performance pieces made in collaboration with artist Abi Tariq. This body of work grew in response to the megafires that burned in Australia in 2019–20 and brings an urban audience into proximity with the tactile reality of the aftermath of wildfires.

Author Biography

Honi Ryan, Paris College of Art

Honi Ryan is an artist, writer, and educator with a nomadic social practice. Born in Melbourne and based between Berlin and Paris, Ryan holds an MFA from the Transart Institute and is adjunct faculty at Paris College of Art. Ryan’s work is socially motivated and engages participatory action to develop political and ecological issues. Ryan is the founding artist of the international performance art project the Silent Dinners which she has performed in 20 cities across 12 countries. Her work and critical writing was recently included in Creative Paths at Gaiás Museum Galicia, Spain alongside artists including Francis Alÿs, Mona Hatoum, and Marina Abramović. Ryan represented Germany at the Lahore Biennale 2016 and Karachi Biennale 2017. She has exhibited, performed, taught, and participated in residency programs internationally, with recent focus in Australia, Pakistan, Germany, and France.

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Published

2024-03-19

Issue

No. 35 (2023): Wounded landscapes: Human intervention into natural ecosystems. Cultural approaches and artistic responses

Section

Articles

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