Cuatro itinerarios por el laberinto de Bucarest: la memoria perdida (Albert Solé, 2008)

Abstract

This article proposes the study of Bucarest la memoria perdida (Albert Solé, 2009) as a documentary film for History. This study will allow us to situate the film as a transgressive writing, insofar as it asumes a kind of « subjective turning » in its enontiation, that, as we will see, exceed nevertheless the narcissistic speech. We will also explain how the film can be understood as a sort of suggestion to a «new transition» in the sens that the film builds up a bridge between the memoriy of traumatic spanish past and the questions involved in the construction of a future.