EL CINE COLOMBIANO SOBRE EL CONFLICTO ARMADO. LA CONSTRUCCIÓN DE UN NUEVO RELATO (2002-2010) Y SUS IMPLICACIONES ACTUALES

Authors

DOI:

https://doi.org/10.1344/fh.2022.32.2.162-180

Keywords:

Cine, Colombia, conflicto, Seguridad Democrática, FARC-EP.

Abstract

Since the beginning of the Colombian conflicto (1964-2016), fiction cinema has sought to represent the realities of the country. At the end of the 20th century, the reality of the conflict in Colombia has started, being reflected on both the image shown in the big screen and the way cinema understood and interpreted it between 2002 and 2010. These changes evidence the emergence of a new narrative, a historical story that is expanding its influence by giving new meanings to victims, perpetrators, and the history of the Colombian conflict itself. This new story and its analysis will focus this article. Through the examination of the fiction films identified in it, we will show the characteristics of this story and we will observe which ones remain today.

Author Biography

AITOR DÍAZ-MAROTO ISIDRO, Universidad de Alcalá (UAH)

Es investigador postdoctoral “Margarita Salas” por la Universidad de Alcalá y realiza sus investigaciones en la Cátedra URJC Santander Presdeia. Colaborador del IELAT de la Universidad de Alcalá e investigador asociado del Center for Latin American Political Studies del GIRES (Países Bajos). Sus líneas de investigación son el cine y la historia, y la violencia política en Europa y América Latina. Correo: aitor.diaz@edu.uah.es

Published

2023-01-17