Bosch through New Media Art and video art: an experimental relationship

Authors

DOI:

https://doi.org/10.1344/Materia2016.10-11.15

Keywords:

Hieronymus Bosch, New Media Art, video art, animation, digital culture

Abstract

In the twenty-first century New Media Art is showing a huge interest in various works by Hieronymus Bosch. Whether to reproduce his works in motion, allow the viewer to plunge into the paintings or to get inspired —more or less freely— by his creations, many proposals have found in their panels a starting point to develop their own worlds and fantastic environments. After thorough research, we propose in the present paper a journey through some of the most relevant works inspired by Bosch, framing them in the current reality, in the new communication systems, in Internet culture or in the existing relationships between art and artificial intelligence.

References

AUMONT, Jacques, El ojo interminable, Barcelona, Paidós, 1997.

DU, Huang, «Entrevista a Miao Xiaochun» [consulta: 7 de mayo de 2016]. Disponible en: http://www.karetzky.com/MiaoXiaochun_HuangDu.pdf

IBÁÑEZ, Juan, «Un recorrido por el “El jardín de las delicias”», Revista Arcadia, 8 de agosto de 2012 [consulta: 6 de junio de 2014]. Disponible en: http://www.revistaarcadia.com/arte/articulo/un-recorrido-el-jardin-delicias/29205

PALOP, Benoit «Step Inside “The Garden of Emoji Delights"», The Creators Project, 24 de octubre de 2014 [consulta: 2 de mayo de 2016]. Disponible en: http://thecreatorsproject.vice.com/blog/step-inside-the-garden-of-emoji-delights

PANOFSKY, Erwin, Early Netherlandish Painting. Its Origins and Character, Cambridge, Harvard University Press, 1953, 2 vols.

PÉRIAUX, Bergame, «Le Jardin des délices à 360», Lesonmulticanal, 12 de febrero de 2014 [consulta: 5 de junio de 2016]. Disponible en: http://www.lesonmulticanal.com/2014/02/12/le-jardin-des-delices-a-360/

ROEGIERS, Antoine, The invention of painting (Personal Catalogue), Ginebra, Galerie Guy Bärtschi, 2009.

WALSH, John, Bill Viola. Las Pasiones, Madrid, La Caixa, 2004.

Published

2016-10-28

Issue

Section

La grilla experta: un món post-bosquià contemporani