Music, cinema and identity: the “case” of <i>rock & cat</i>

Authors

DOI:

https://doi.org/10.1344/Materia2019.14-15.10

Keywords:

musical identity, cinema, documentary, sociology of culture

Abstract

During the 1990s, in Catalonia some musical groups emerged under the common denomination “Catalan Rock”, a name which designates a false style, but was defended as such by government agencies and record companies.


In 2006, the director Jordi Roigé made the film Rock Cat, which gave legitimacy to the “style” with a documentary that includes performances of groups that were part of “Catalan rock”. These performances were filmed expressly on a common stage, the Liceu opera house in Barcelona.
Our work aims to show how a documentary film about music allows for institutional legitimacy of a style that never really existed, despite the indisputable quality of the film.

Author Biography

Jaume Radigales, Universitat Ramon Llull

Professor agregat del departament de Comunicació de la Facultat de Comunicació i Relacions Internacionals Blanquerna de la Unievrsitat Ramon Llull (Barcelona).

Professor de Narrativa de gèneres audiovisuals i d'Estètica.

References

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Lluís GENDRAU, «El pop-rock en català: estat de la qüestió», Carlos FEIXA; Juan R. SAURA; Javier de CASTRO (eds.), Música i ideologies, Universitat de Lleida, Generalitat de Catalunya, 2003, p. 209-235.

Jaime HORMIGOS RUIZ, Música y sociedad: análisis sociológico de la cultura musical de la posmodernidad, Fundación Autor, Madrid, 2008.

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Jeff SMITH, «Banking on Film Music. Structural interactions of the film and record industries», Kay DICKINSON Movie Music, The Film Reader, London, Routledge, London & New York, 2003, p. 63-97.

Published

2019-12-17

Issue

Section

ARTICLES