No. 6-7 (2006): Iconografies

• Presentació. Iconografies

  Rosa Alcoy i Pedrós

  7-15

  • PDF (Català)

ICONOGRAFIES

• The mystery of Durro. Shedding new light on the iconography of Saint Quiricus and Saint Julitta in catalan romanesque painting.

  María Laura Palumbo

  19-37

  • PDF (Italiano)

• The romanesque frescoes of Santa Maria de Cervià and their relationship with the Lords of Cervià and painting in the Aquitaine region.

  Montserrat Pagès i Paretas

  39-62

  • PDF (Català)

• The hammer and ring of Francesco d'Este: notes on a portrait attributed to Rogier van der Weyden.

  Rosa Alcoy i Pedrós

  63-99

  • PDF (Español)

• The baroque altarpiece of St Bernardine in Barcelona cathedral: new facts about Jeroni Magarola.

  Santiago Mercader Saavedra

  101-124

  • PDF (Català)

• The art of printing: assisting and portraying the art of medicine.

  Rosa Vives Piqué

  125-157

  • PDF (Español)

• Puppet shows in 19th-century Barcelona.

  Toni Galmés

  159-177

  • PDF (Català)

• Cinema and Cubism. A new approach.

  Anna Casanovas i Llorens

  179-194

  • PDF (Català)

• Spaces and architecture: metaphysical scenarios and modernity in the trilogy of alienation of Michelangelo Antonioni (1960-1962).

  Jordi Corominas i Julián

  195-208

  • PDF (Català)

• The impossibility of love in Wong Kar-Wai's triptych, Days of being wild, In the mood for love, and 2046: The continuity of themes and characters.

  Izaskun Indacoechea

  209-231

  • PDF (Español)

MATERIALS

• Francesc Ferriol, an art nouveau architect between Barcelona and Zamora.

  Álvaro Ávila de la Torre

  235-255

  • PDF (Español)

• The city of Barcelona award for architecture (1899-1930).

  Maria Ojuel Solsona

  257-284

  • PDF (Català)

• The concerts of Carlos Gumersindo Vidiella.

  Mutsumi Fukushima

  285-306

  • PDF (Español)

• The first catalan report on avant-garde art and architecture: A detailed analysis.

  Mercè Vidal

  307-326

  • PDF (Català)

• The return to beauty according to Arthur C. Danto: politics, ethics and culture.

  Anna Maria Guasch

  327-344

  • PDF (Español)

REFERÈNCIES, LECTURES

• Rosa Alcoy, Nigel Morgan, Klaus Reinhardt. Salterio glosado (Salterio anglo-catalán)

  María Laura Palumbo

  347-350

  • PDF (Italiano)

• Judith B. Steinhoff. Sienese painting after the Black Death. Artistic pluralism, politics and the new art market.

  Guadaira Macías

  350-352

  • PDF (Català)

• Angelo Tartuferi, Daniela Parenti (a cura di). Lorenzo Monaco, dalla tradizione giottesca al Rinascimento (Firenze, Galleria dell’Acamedia 9 maggio-24 setembre 2006)

  María Laura Palumbo

  353-355

  • PDF (Italiano)

• Jona Lluís Palos y Diana Carrió-Invernizzi (Dirs.). La Historia Imaginada. Construcciones visuales del pasado en la Edad Moderna

  Joanna Fraga

  355-356

  • PDF (Español)

• Jean Clair. La Barbaríe Ordinaria. Music en Dachau.

  Laura Casal i Valls

  357-359

  • PDF (Català)

• Juan Domínguez, Marta Galán, Fernando Renjifo. Éticas del cuerpo

  Enric Ciurans Peralta

  359-361

  • PDF (Català)