Submissions

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Submission Preparation Checklist

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.
  • La tramesa no s'ha publicat anteriorment ni s'ha presentat abans a cap altra revista (o s'ha enviat una explicació a «Comentaris per a l'editor/a»).
  • El fitxer de la tramesa està en format de document de l'OpenOffice, Microsoft Word, RTF o WordPerfect.
  • Sempre que ha estat possible s'han proporcionat els URL per a les referències.
  • El text utilitza un espaiat senzill, lletra de mida 12 i en cursiva, més que no pas subratllat, excepte a les adreces URL. Pel que fa a totes les il·lustracions, figures i taules, es col·loquen al lloc corresponent del text i no al final.
  • El text compleix els requisits estilístics i bibliogràfics descrits a les instruccions de l'autor/a a Indicacions de l’autor/a, que es troben a «Sobre la revista».
  • Si es tramet a una avaluació per experts/ertes d'una secció de la revista, s'han de seguir les instruccions a Assegurar una avaluació anònima.

Author Guidelines

Call for submissions are open. Special issues will be developed to a separate schedule which it have its specific calendar.


1. Preparing your manuscript

1.1 Types of Publications

Matter: Journal of New Materialist research  has a restriction in between 7,000 and 8,000 words, being the text concise and comprehensive. Manuscripts submitted to Matter should neither been published before nor be under consideration for publication in another journal. The main article types are as follows:

  • Articles: Original research manuscripts. The journal considers all original research manuscripts provided that the work provides a substantial amount of new information. Authors should address specifically one of the five sections in which the journal is divided in order to provide a more accurate peer review. Quality and impact of the study will be considered during peer review.
  • Book Reviews: These provide concise and precise updates on the latest progress made in a given area of research. Matters accept reviews of books that were published long time ago if the review is diffracted with some other contemporary authors or theories providing an “affirmative critique” (van der Tuin, 2008). Destructive reviews or critiques will be discarded. 
  • Almanac: The journal will provide one concept each issue to be re-worked and reviewed in the open forum of the journal. Nevertheless, those editors compiling one special issue or specific concepts in the focus of debate can be suggested for the next issue. 
  • Intraviews: Suggestion of people, guidelines for the next intraview can be provided by writing an email t matterjournal@ub.edu and “intraview section” topic in the email. 

1.2. Word template

Our tailored word template will help you format and structure your article. Please, prevent yourself of using any other format for the submission. We won’t be accepting open office or any other than the format in which the template is already established. For more details, keep reading the next points.

1.3. Formatting your article

When formatting your references, please ensure you check the APA 6th edition reference style. The article must have between 7,000 words and 8,000 words without references or footnotes. Footnotes are preferred rather than endnotes and these will be used for introducing extended information.

Please, remember to anonimize the manuscript in order to ensure a blind review.

1.4. References

One criteria that will determine the acceptance or not of the paper in this journal is the criteria that we have denominated “diversity references”. According to Carrie Mott & Daniel Cokayne (2017), citations are “a technology of resistance that demonstrate engagement with those authors and voices we want to carry forward”. Therefore, we won’t accept papers that won’t include a 60 % of their references with academics other than the white heteronormative man. For this reason, the references have to include the author's first name as a political and feminist commitment. 

1.4. Cover letter

These sections should appear in all manuscript types

  • Title: The title of your manuscript should be concise, specific and relevant. It should identify if the study reports (human or animal) trial data, or is a systematic review, meta-analysis or replication study.
  • Author List and Affiliations: Authors' full first and last names must be provided. The initials of any middle names can be added. Standard format for affiliations: complete address information including city, zip code, state/province, country, and all email addresses. At least one author should be designated as corresponding author, and his or her email address and other details should be included at the end of the affiliation section. 
  • Abstract: The abstract should be a total of about 300 words maximum. The abstract should be a single paragraph and should follow the style of structured abstracts. The abstract should be an objective representation of the article: it must not contain results which are not presented and substantiated in the main text and should not exaggerate the main conclusions.
  • Keywords: Three to six pertinent keywords need to be added after the abstract. We recommend that the keywords are specific to the article, yet reasonably common within the subject discipline. 

1.6. Artwork guidelines

Illustrations, pictures and graphs, should be supplied with the highest quality and in an electronic format that helps us to publish your article in the best way possible. Please follow the guidelines below to enable us to prepare your artwork for the printed issue as well as the online version.

  • Format: TIFF, JPEG: Common format for pictures (containing no text or graphs).
    EPS: Preferred format for graphs and line art (retains quality when enlarging/zooming in).
  • Placement: Figures/charts and tables created in MS Word should be included in the main text rather than at the end of the document.
    Figures and other files created outside Word (i.e. Excel, PowerPoint, JPG, TIFF, EPS, and PDF) should be submitted separately. Please add a placeholder note in the running text (i.e. “[insert Figure 1.]")
  • Resolution: Rasterized based files (i.e. with .tiff or .jpeg extension) require a resolution of at least 300 dpi (dots per inch). Line art should be supplied with a minimum resolution of 800 dpi.
  • Colour: Please note that images supplied in colour will be published in colour online and black and white in print (unless otherwise arranged). Therefore, it is important that you supply images that are comprehensible in black and white as well (i.e. by using colour with a distinctive pattern or dotted lines). The captions should reflect this by not using words indicating colour. 
  • Dimension: Check that the artworks supplied match or exceed the dimensions of the journal. Images cannot be scaled up after origination
  • Fonts: The lettering used in the artwork should not vary too much in size and type (usually sans serif font as a default).
  • Moving Images: Vimeo links can be embedded in your text to open to a new window. Copyright laws must be followed and the vimeo should be open access. 

 

1.7. Image Integrity

Figures should be minimally processed and should reflect the integrity of the original data in the image. Adjustments to images in brightness, contrast, or color balance should be applied equally to the entire image, provided they do not distort any data in the figure, including the background. All adjustments to image date should be clearly disclosed in the figure legend. Images may be additionally screened to confirm faithfulness to the original data. Authors should be able to supply raw image data upon request. Authors should also list tools and software used to collect image data and should document settings and manipulations in the Methods section.

1.8. English language editing services

Authors seeking assistance with English language editing, translation, or figure and manuscript formatting to fit the journal’s specifications would need to provide it for themselves. So far, we cannot provide editing assistance.

2. Preparing your submission 

2.5. Submission process

Manuscripts for Matter should be send to matterjournal@ub.edu.

The submitting author, who is generally the corresponding author, is responsible for the manuscript during the submission and peer-review process. The submitting author must ensure that all eligible co-authors have been included in the author list and that they have all read and approved the submitted version of the manuscript. 

 

Affecting Affirmative Reviews

This section stimulates dialogues across disciplines connecting new materialism and feminism with politics, ethics, ontology, epistemology and methodology. The reviews can evaluate the scope of a book, as well as exposing its contents, but this journal considers that they must go beyond that. An appropriate review has to start from the reflexive ability of the author to provide a critical evaluation of the book. However, the criticisms which we propose have to be affirmative (Van der Tuin, 2011), since it is precisely this affirmation that constitutes "the new" of the New Feminist Materialisms. The author of the review has to develop her o his own argument and ideas about the book. Thus, the text would be a material reality that is worth reading for itself, not as a substitute of the book. In this way, the reviews for which we appeal would become part of the theoretical and political discussions and the debates between different disciplines in relation to contemporary feminist and new materialism theory.

Almanac (Open Form)

The almanac is intended as a glossary of terms to document, catalyze, and make public discourse within the fields of new materialism and associated research. We invite entries that are a rigorous introduction to a key term, a provocative rereading of existing nomenclature, or a creative explication of a more esoteric neologism you have developed.

The almanac began its life online (www.newmaterialism.eu), as a device for translating research within the New Materialism COST Action between 2016-18. Written by experienced professors and fledgling undergrads, it comprises over 40 diverse entries, on subjects including; Agency, Algorithms, Autopoietic System, Becoming, Body, Carbon Dioxide, Culture, Cyborg, Dance, Diagram, Disease, Documents, Ecology, Ethics, Image, Technology, Transversality, Vibration, Viscosity, Voice, Worlding, and many more.  We are excited by what the project’s migration to the MATTER journal can offer, how existing entries may be augmented and new ones brought forth.

We ask that you consider writing entries on terms that are both important to your research and germane to wider new materialist practice. We welcome co-authored texts, multiple entries on the same term, and are also keen to publish entries that operate beyond traditional textual frameworks, such as image-based entries, typographical experimentation, or linking to online materials that may be sonic or time-based, for example. Entries will be reviewed by the editors and we suggest a word count of between 500-1000 words.  

Entries may be an introduction to a key term, a rereading of existing nomenclature, or a creative explication of a more esoteric neologism. Re-working of existing entries through either formal submission or the open forum is welcomed. Future call-outs will also invite entries on new and emerging terms. 

Praxiography*: Practices and Institutions

This section provides an opportunity to engage with topics of research practices, critique of institutional structures, and invites bold explorations of ways of organizing, living, and imagining various praxes – be them within the field of e.g. academia, teaching, art, or activism. We invite theoretical, experiential, and experimental contributions from a variety of feminist perspectives as well as collaboratively written and collectively authored pieces.

We invite submissions from early career researchers, academics in precarious positions and independent researchers, artists, and organizers. We especially warmly welcome contributions from Indigenous, POC, trans and/or non-binary researchers, and perspectives from Eastern Europe/post-Soviet/post-socialist contexts and the Global South.

We are open for discussing the potential publication of other types of submissions.

Praxiography*: Practices and Institutions Scientific Committee 

  • Mónica Cano Abadía
  • Tara Mehrabi
  • Arun Saldanha

Creating Language and Theorizing Literature

Language has been accused of having been granted too much power (Barad, 2003: 801) and more than a decade later, this has been appropriated as a premise for any kind of materialist work. Nevertheless, how do we define language? What are the properties that take for granted its power? As a concept, ‘language’ has become a self-referential concept inserted in our common sense and academic vocabularies but defined within its own terms. This section aims at looking for alternative perspectives of language based on opening rhizomatic processes of affirmative critiques rather than linguistic claxifications (van der Tuin, 2015) that take for granted a communicative experience of it. Obtaining an operative definition of language requires pleading directly to its relational nature, rather than to its human communicative main characteristic. Therefore, in order to be able to define language and the materiality of its linguistic features without granting it too much power, this section situates language vía three realms (but is not limited to them): re-conceptualizing the aesthetics of the literary piece, thinking through writing methodologies that produce differences that matter; and a relational notion of language that emphasize how this language is beyond a human characteristic depending on the terms of its intra-action. Thus, we can see differing languages such as the language of technology, the language of mathematics, the language of more-than-human beings, and also the other cultural definitions of language. We invite contributions for this section that aim at theorizing and practising language and literature in a material way in order to situate language back into the phenomenon as an intra-active entangled part and not above, below or beyond the phenomenon itself.

Creating Language and Theorizing Literature Scientific Comitee

  • Belén Martín-Lucas
  • Serenella Iovino
  • Ana M. Fraile


Quantic Mapping

New materialist scholars have been interested in situating, troubling, and refining processes of canonization and classification right from the start of the coming into being of the tradition in thought. New materialists inherited the complicated adjective “new” from the philosophers and theorists who coined the term whilst arguing themselves that “what we may call a ‘new tradition’ […] simultaneously gives us a past, a present, and a future” (Dolphijn and Van der Tuin 2012). There are generally two, interconnecting directions in which the scholarship has taken up these issues. One, by working on new materialism’s bibliography from the ground up; and two, by inventing methodological alternatives for progressive canonization and vertical classification. This section of Matter invites contributions that take up at least one of these directions and, ideally, actualize both at the same time. What scholars, thinkers, and practitioners should be mapped as “new materialists” in the here and now, and how does their work reach out into pasts and futures? What work do new materialisms do that is, to speak with Braidotti, “worthy of the present”? What theoretically informed methodologies are out there for new materialist scholars and students to use and innovate in ways that does justice to non-linear and inclusive bibliographical and dynarchival processes, to speak with Ernst? Think of cartographies and rhizomatics as emerging from the philosophical work of Deleuze and Guattari, Braidotti, and Foucault; of différance in the light of Derrida and Kirby; of diffractive readings and writings coming from Minh-ha, Haraway, and Barad; of topologies as deployed by Lury; of Tamboukou’s feminist genealogies; etc. Together we aim at showcasing research and methodologies that map the field in respect of quantum processes producing the outliers and irreductions in Latour’s term, that remain invisible when we stick to classical paradigms. Contributions can be theoretically or empirically based and preferablyy both: in short, we particularly welcome articles that show how new materialist approaches work on the ground and with what effect.

Quantic Mapping Scientific Comittee:

  • Aud Sissel Hoel
  • Malou Juelskjaer
  • Dorota Golanska
  • Rick Dolphijn

Sciento-Metrics

As a collaborative praxis that crosses and exceeds disciplinary boundaries, feminist new materialisms have proffered new engagements with the processes of calculating and measuring matter, materials and materialisation. Karen Barad’s neologism ‘intra-activity’ conceives scientific measurements as entangled agencies and affirms the indeterminacy within the entangling/differentiating of measuring and making determinate. Measurements are performative, world-making rather than revealing practices and are enacted by diverse life forms that have the capacity for encoding, numbering, engineering, and more.

This section invites theoretically innovative and methodologically creative new materialist scholarship engaging the potentialities of mattering/measuring that open up different histories and futures of phenomena of concern. In what ways do new materialisms prompt a rethinking of the notion of calculability? How do collaborations with the more-than-human unsettle the boundaries between nature and technology; matter and code; energy and information; science and philosophy? How do we become accountable to that which exceeds calculation and determination? What new, hybrid, inventive and speculative methodologies do such inquiries require? How might we develop feminist scientific and agential literacies in engagements with diverse communities? And what might the work of decolonialising technoscientific and algorithmic ways of knowing entail in a new materialist frame?  

We welcome submissions of original research of between 6000 to 8000 words, including abstract and keywords. We also accept shorter critical commentaries of up to 2000 words on current issues and debates of topical relevance and on work published in the Sciento-Metrics section. All submissions will be initially reviewed by the editors, and then undergo double-blind peer review.

Sciento-Metrics Scientific Comittee 

  • Vera Bühlmann
  • Claude Draude
  • Corinna Bath

Ethics, Affects and Pedagogies

This section seeks to explore the implications of new materialist thinking for ethical, pedagogical and educational thought and practice. It considers pedagogy broadly defined, both in educational contexts and writ large. It takes as a point of departure the proposition that affect is pedagogical, and, conversely, that all pedagogies have affective dimensions which entail an ethics: that is, they reduce or increase capacities to act in any given assemblage. The editors are particularly interested in the crossover between ethics and pedagogy. This section seeks to generate new ways of thinking with new materialist concepts rather than simply 'applying' them or using them in an 'illustrative fashion'. We encourage papers that explore how ideas stemming from the expansive tradition called 'new materialism' push diverse re-framings, re-purposings and re-imaginings of ethics, education and pedagogy? How does considering the ethical aspects of the affects pedagogical practice change research agendas and practices? We welcome submissions that respond to this charter broadly, or the questions offered specifically. 


Ethics, Affects and Pedagogies Scientific Committee

  • Elisabeth St. Pierre
  • Nathalie Sinclair
  • Hillevi Lenz Taguchi
  • Fikile Nxumalo

Media Arts & Culturing

Media platforms dominate our material worlds. They document and witness daily events and experiences, and they imagine and complicate our ideas of “truth” and “reality” : media culture worlds. This section of the journal is dedicated to media arts practices that engage the multi-modal forms of media platforms, as they relate to critical, creative practices of culturing; ways of making, performing, activating, and thinking about media. 

We seek contributions from all kinds of practitioners who can contribute insight into what media culturing means for our time, and what role media culturing has to play in the world. If Human societies and the ecosystem (the Planet) are in crisis nowadays, it may be that a change in culture addressed by the arts and media production will offer the ways to surpass the auto-destructive tendency of Humans.  

In this section, we want to showcase articles and practices that explore a range of positions that engage whatever matter might be made, understood, and or materialised as “media”, which we describe as: energy platforms for culturing a new biospheric arts. These discussions can be addressing any energy form that media arts takes (analog, digital, quantum, water-based, ether-based, sound-based, image-based, text-based, material-focussed, sex-toys, washing-machines, smart technologies, smart textiles precious metals, plants, animals, etc. etc.). 

In addressing the call for this journal, Matter,this section asks: What is the matter of media, and what are the ways in which the media cultures the matter of life?How we understand these terms, after the feminist new materialist practices opened a further critique of matter have required that we de-culture media practices; by exploring how different media forms can block and or generate, and thus re-orient information about matter and its mattering by cultural and political infrastructures. Media platforms enable the agency of those infrastructures to be rendered visible; by their cultural appropriation, rendering, critique, presentation, rejection, destruction. When they don’t work, we perceive them; as they change, their users adapt and arrange their modes of engagement with the actualities, and possibilities of things and experiences in the world. Human societies engage in life through mediums that model and enable orientation of the matter of the world. Media platforms are systems already made; providing a perceptual lens onto things perhaps unseen or unknown, as-yet unthought, underexplored, or perhaps only ever imagined or dreamt. 

Media Arts & Culturing Scientific Committee 

  • Maaike Bleeker
  • Rebecca Coleman
  • Katve-Kaisa Kontturi
  • Milla Tiainen
  • Barbara Bolt

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