Anatomías Fluidas y Alteridades Tecnológicas. En torno a las Estéticas Postanatómicas en el Arte Performativo Contemporáneo

Autores/as

DOI:

https://doi.org/10.1344/jnmr.v10i.49360

Palabras clave:

Postanatómico, Nuevos materialismos performáticos, Arte performativo, Digital media, Más-que-humano

Resumen

Este trabajo pretende examinar las esteticas postanatomicas en el arte de la performance contemporánea a través de los debates nuevo materialistas en torno a las intra-acciones de lo humano y lo tecnológico. Con dicho objetivo, destacamos la infulencia del ciberfeminismo, la fenomenología y el discurso feminista y queer en torno a la representación artística de la (techno)corporalidad. Exploraremos el trabajo de cuarto artistas: Isabelle Van Grimde, Jaime del Val, Marco Donnarumma, y Margherita Pevere. Este artículo trata de demostrar cómo las prácticas artísticas generan representaciones anti-normativas de los cuerpos, a la vez que proponen otros horizontes para representar las políticas corporales.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Andrea Giomi, Accademia Albertina Di Belle Arti Di Torino, Italy

Researcher, musician and digital artist. PhD in Music Technology and Performing Arts (Université Côte d’Azur, Università di Bologna), he is full professor of Interaction Design at Albertina Academy of Fine Arts (Turin, Italy). From 2018 to 2020 he was postdoctoral researcher at Grenoble Alpes University’s “Performance Lab” where he carried out an extensive study on movement sonification. From 2020 to 2022 he was lecturer in Digital Arts at Gustave Eiffel University (Champs-sur-Marne). His research interests include embodied cognition, human-computer interaction, digital arts, sonification, phenomenology, research-creation and new materialist feminism. Co-founder of Kokoschka Revival new media art collective, his artistic work involves performances and interactive installations.

Citas

Alaimo, Stacy, & Hekman, Susan J. (eds) (2008). Material Feminisms. Indiana University Press.

Allhutter, Doris, Bargetz, Brigitte, Meißner, Hanna, & Thiele, Kathrin (2020). Materiality-Critique-Transformation: Challenging the Political in Feminist New Materialisms. Feminist Theory, 21(4), 403–411. https://doi.org/10.1177/1464700120967289

Balsamo, Anne Marie (1996). Technologies of the Gendered Body: Reading Cyborg Women. Duke University Press.

Barad, Karen Michelle (2007). Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Duke University Press.

Bleeker, Maaike, Sherman, Jon Foley, & Nedelkopoulou, Eirini (Eds) (2015). Performance and Phenomenology: Traditions and Transformations. Routledge, Taylor & Francis Group.

Braidotti, Rosi (2002). Metamorphoses: Towards a Materialist Theory of Becoming. Published by Polity Press in association with Blackwell Publishers.

Braidotti, Rosi (2013). The Posthuman. Polity Press.

Broadhurst, Susan, & Machon, Josephine (Eds.) (2012). Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan.

Brodsky, Judith K. (2022). Dismantling the Patriarchy, Bit by Bit: Art, Feminism, and Digital Technology. Bloomsbury Visual Arts.

Brown, Kathryn, & Mitchell, Elspeth (2020). Feminist Digital Art History. In The Routledge Companion to Digital Humanities and Art History. Routledge.

Carlson, Dennis (2001). Gay, Queer, and Cyborg: The Performance of Identity in a Transglobal Age. Discourse: Studies in the Cultural Politics of Education, 22(3), 297–309. https://doi.org/10.1080/01596300120094343

Choinière, Isabelle (2018). Somatic/Embodiment/Technology as an Evolutive Strategy: The Ontological Shift of the Performative Body in Contact with Technologies. Journal of Dance & Somatic Practices, 10(2), 189–206. https://doi.org/10.1386/jdsp.10.2.189_1

del Val, Jaime (2009). Undoing Anatomy: Resisting Global Choreographies in the Capitalism of Affects. Gramma: Journal of Theory and Criticism, 265-278 Pages. https://doi.org/10.26262/GRAMMA.V17I0.6385

del Val, Jaime (2018). Ontohacking: Onto-ecological Politics in the Algoricene. Leonardo, 51(2), 187–188. https://doi.org/10.1162/LEON_a_01521

del Val, Jaime (2021). The Body is Infinite / Body Intelligence: Ontohacking Sex-Species and the Bi R/Evolution in the Algoricene. Journal of Posthumanism, 1(1), 53–72. https://doi.org/10.33182/jp.v1i1.1447

Donnarumma, Marco (2017). Beyond the Cyborg: Performance, Attunement and Autonomous Computation. International Journal of Performance Arts and Digital Media, 13(2), 105–119. https://doi.org/10.1080/14794713.2017.1338828

Donnarumma, Marco (2020). Across Bodily and Disciplinary Borders: Hybridity as Methodology, Expression, Dynamic. Performance Research, 25(4), 36–44. https://doi.org/10.1080/13528165.2020.1842028

Foucault, Michel (1976). Surveiller et Punir. Naissance de la Prison. Gallimard.

Gamble, Christopher N., Hanan, Joshua S., & Nail, Thomas (2019). What is New Materialism? Angelaki, 24(6), 111–134. https://doi.org/10.1080/0969725X.2019.1684704

Geerts, Evelien, & Van der Tuin, Iris (2021). Almanac: Diffraction & Reading Diffractively. Matter: Journal of New Materialist Research, 2(1), 173–177. https://doi.org/10.1344/jnmr.v2i1.33380

Giomi, Andrea (2020). Virtual Embodiment: An Understanding of the Influences of Merleau-Ponty’s Philosophy of Technology on Performance and Digital media. Chiasmi International, 22, 297–315. https://doi.org/10.5840/chiasmi20202229

Grebowicz, Margret & Merrick, Helen (2013). Beyond the Cyborg: Adventures with Donna Haraway. Columbia University Press.

Hansen, Mark B. N. (2006). Bodies in Code: Interfaces with Digital Media. Routledge.

Haraway, Donna J. (1991). Simians, Cyborgs, and Women: The Reinvention of Nature. Routledge.

Haraway, Donna J. (2016). Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press.

Hekman, Susan J. (2010). The Material of Knowledge: Feminist Disclosures. Indiana University Press.

Hester, Helen (2018). Xenofeminism. Polity Press.

Ihde, Don (2002). Bodies in Technology. University of Minnesota Press.

Kirkup, Gill (ed.) (2000). The Gendered Cyborg: A Reader. Routledge in association with the Open University.

Klumbytė, Goda, & Draude, Claude (2022). Prospects for a New materialist Informatics: Introduction to a Special Issue. Matter: Journal of New Materialist Research, 3(1). https://doi.org/10.1344/jnmr.v3i1.38955

Kozel, Susan (2008). Closer: Performance, Technologies, Phenomenology. MIT Press.

Losh, Elizabeth M. & Wernimont, Jacqueline (Eds.) (2018). Bodies of Information: Intersectional Feminism and Digital Humanities. University of Minnesota Press.

MacCormack, Patricia (2009). Queer Posthumanism: Cyborgs, Animals, Monsters, Perverts. In The Ashgate Research Companion to Queer Theory. Routledge.

Malloy, Judy (ed.) (2003). Women, Art, and Technology. The MIT Press.

Merleau-Ponty, Maurice (1945). La Phénoménologie de la Perception. Gallimard.

Merleau-Ponty, Maurice (1964). Le Visible et l’Invisible, Suivi de Notes de Travail. Gallimard.

Miyake, Esperanza (2013). My, is that Cyborg a Little Bit Queer? Journal of International Women’s Studies, 5(2), 53–61. https://vc.bridgew.edu/jiws/vol5/iss2/6

Mondloch, Kate (2018). A Capsule Aesthetic: Feminist Materialisms in New Media Art. University of Minnesota Press.

Pitts, Victoria (2005). Feminism, Technology and Body Projects. Women’s Studies, 34(3–4), 229–247. https://doi.org/10.1080/00497870590964129

Ringrose, Jessica, Warfield, Katie & Zarabadi, Shiva (eds.) (2020). Feminist Posthumanisms, New Materialisms and Education (1st ed.). Routledge.

Russell, Legacy (2020). Glitch Feminism: A Manifesto. Verso.

Sencindiver, Susan Yi (2017). New Materialism. In Encyclopedia of Educational Philosophy. Springer Berlin Heidelberg.

Sender, Katherine & Shaw, Adrienne (Eds.) (2017). Queer Technologies: Affordances, Affect, Ambivalence. Routledge.

Smelik, Anneke & Lykke, Nina (Eds.) (2008). Bits of Life: Feminism at the Intersections of Media, Bioscience, and Technology. University of Washington Press.

Søndergaard, Marie Louise Juul (2017). Intimate Design: Designing Intimacy as a Critical-Feminist Practice. Proceedings of the 2017 CHI Conference Extended Abstracts on Human Factors in Computing Systems, 320–325. https://doi.org/10.1145/3027063.3027138

Suchman, Lucy (2017). Agencies in Technology Design: Feminist Reconfigurations*. In Machine Ethics and Robot Ethics. Routledge.

Sullivan, Nikki & Murray, Samantha (2009). Somatechnics: Queering the Technologisation of Bodies. Ashgate.

Toffoletti, Kim (2007). Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body. IB Tauris.

Van der Tuin, Iris (2011). New Feminist Materialisms. Women’s Studies International Forum, 34(4), 271–277. https://doi.org/10.1016/j.wsif.2011.04.002

Way, Jennifer (2016). Digital Art at the Interface of Technology and Feminism. In A companion to digital art. Wiley Blackwell.

Žižek, Slavoj (2004). Organs Without Bodies: Deleuze and Consequences. Routledge.

Zylinska, Joanna (ed.) (2002). The Cyborg Experiments: The Extensions of the Body in the Media Age. Continuum.

Descargas

Publicado

2025-02-05

Número

Vol. 10 (2025): Tenth issue

Sección

Artes mediáticas y cultura

Licencia

Derechos de autor 2025 Andrea Giomi

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

The authors who publish in this journal agree to the following terms:

  1. Authors retain copyright and grant the journal the right of first publication.
  2. Texts will be published under a Creative Commons Attribution License that allows others to share the work, provided they include an acknowledgement of the work’s authorship, its initial publication in this journal and the terms of the license.