La fraternidad de los cuerpos posthumanos. La ciencia ficción como territorio de reproducción y de resistencia del imaginario masculino tradicional

María Ruido

Resum


This paper analyses the representations of the body present in contemporary science-fiction literature and film. Using theoretical concepts by Althusser, Foucault and Haraway, the text establishes first a typology of cybernetic organisms in contemporary culture and reviews its presence and ideological implications in films like Robocop (1987), Johny Mnemonic (1995) or Matrix (1999). The paper argues for a self-conscience as political and historical subjects in order to avoid falling into a fallacious cyberandroginy that reinfornces phallogocentric power structures.

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DOI: http://dx.doi.org/10.1344/

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EDITEN: GRC Creació i Pensament de les Dones (Universitat de Barcelona) i GRC Cos i Textualitat (Universitat Autònoma de Barcelona)

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