NOT 'SO' STRANGERS. PATRICIA HIGHSMITH ACCORDING TO ALFRED HITCHCOCK

Authors

  • Jorge Luis Peralta Universidad Autónoma de Barcelona. Maec - Aeci

Keywords:

Cinematographic transposition, moral, Alfred Hitchcock, Patricia Highsmith

Abstract

In this work I propose to analyze how the cinematographic transposition of Strangers on a train has changed the suffocating amoral world of Patricia Highsmith in a typical Hitchcockian frantic suspense story, blurring the darkest edges of the characters and situations of the original novel. The aim is not to determine whether the film is «more», «better» or «worse» than the text –an unproductive enterprise– but to reflect on the operations made by the director to seize the literary work and make of it a film that responds to his own vision of the world and of cinema.

Author Biography

Jorge Luis Peralta, Universidad Autónoma de Barcelona. Maec - Aeci

PhD Candidate in literary theory and comparative literature, Universidad Autónoma de Barcelona. Maec - Aeci

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How to Cite

Peralta, J. L. (2014). NOT ’SO’ STRANGERS. PATRICIA HIGHSMITH ACCORDING TO ALFRED HITCHCOCK. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (3), 148–170. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/10804

Issue

No. 3 (2010): Cultural Studies and Comparative Literature

Section

Miscellaneous

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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