ILLEGIBILITY AND TRADITION IN EXPERIMENTAL POETRY

Authors

  • Margalida Pons LiCETC, Universitat de les Illes Balears

Keywords:

experimentation, tradition, canonicity, illegibility, rereading, literary rupture

Abstract

Starting with the experimental poetry of the past few decades, this work defends the impossibility of drawing a clear line between literary continuity and rupture. Due to the diverse experiences of subalternisation that it has faced, Catalan culture has both celebrated the concept of continuity and associated rupture with extinction. The article examines this approach in the belief that cultural transmission can also be built from discontinuity, interruption and counter-discourse. The justification of this hypothesis will be based on the study of uses and readings of Gabriel Ferrater's poetry by authors such as Carles Hac Mor, Vicenç Altaió and Víctor Sunyol, and on the study of the semiotic dimension of illegibility in the texts of Miquel Bach and other poets.

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How to Cite

Pons, M. (2014). ILLEGIBILITY AND TRADITION IN EXPERIMENTAL POETRY. 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (8), 28–46. Retrieved from https://revistes.ub.edu/index.php/452f/article/view/10851

Issue

No. 8 (2013): Contemporary Poetic Subjects

Section

Monograph

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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