THE HORIZON OF THE FINITE IN 'TOO LOUD A SOLITUDE' BY BOHUMIL HRABAL
Keywords:
art, horizon, solitude, enlightened modernity, mechanical reproductionAbstract
This article discusses the phenomenon of mass production and mechanical reproduction of artwork (to the detriment of art’s auratic quality) in relation to Monika Zgustova’s translation of the novel by Czech author Bohumil Hrabal. The anecdote follows Hanta’s intimate experiences, a paper crusher in Prague who pays special attention to the bibliographic collections and artistic reproductions he receives as trash. Our analysis, aided by the works of Husserl, Jaspers, Benjamin, Safranski and Bauman, also clarifies the main character’s horizon of yearning inasmuch as it is representative of the failure of enlightened modernity, translated into melancholy, guilt and distress because of the “death of art,” (ascribed to Hegel) since Hanta feels both like its accomplice and redeemer.
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