Barcelona beyond Barcelona. The cinematographic city transformed into different cities
DOI:
https://doi.org/10.1344/ara.v6i2.19071Keywords:
Barcelona, Displacement Theory, Films, Film-induced Tourism, Tourist ImageAbstract
Since the late twentieth century, the duality tourism and cinema, commonly referred to as film-induced tourism, has become one of the most emerging and dynamic tourist modalities. Amongst the various types of film-induced tourism accepted by the academia, this research has been based on one that has a double filmic identity: as film destination and as film setting. Meaning a film that is shot in a particular place but is actually representing elsewhere. The main objective of this research is to identify and analyse the international audio-visual productions or co-productions that have been partially or completely shot in Barcelona yet in fiction represent another city. The results were essentially obtained from an analytical-descriptive methodology. As a main conclusion of the study, it can be stated that international films which are shot in Barcelona but represent elsewhere in the film, have great potential to strengthen or create a competitive offer of film-induced tourism in Barcelona.Downloads
Published
2017-05-15
How to Cite
Bonet Balaguer, C., Campos Hernández, A., Marcos Cladellas, C., Tejedor Parodi, B., & Osácar Marzal, E. (2017). Barcelona beyond Barcelona. The cinematographic city transformed into different cities. Ara: Journal of Tourism Research, 6(2), 9–19. https://doi.org/10.1344/ara.v6i2.19071
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