The Artists’ Library: Uses of Literary Thought in Film and Visual Arts (1975-2015)

Authors

  • Annalisa Mirizio

Keywords:

arxiu, biblioteca, pensament literari, cinema

Abstract

This monographic issue is framed by the research being carried out by the group GLiCiArt. Grup de Recerca sobre Literatura, Cinema i Altres Llenguatges Artístics at the Universitat de Barcelona, on the uses of literary theory in contemporary artistic creation and the circulation of its critical paradigms (http://www.ub.edu/gliciart/).

Our starting point, as indicted in the Call for Papers for this issue, was Pier Paolo Pasolini’s inclusion of an “essential bibliography” in the opening credits of his film Salò (1975), which does not include the The 120 Days of Sodom, or the School of Licentiousness (1785) by the Marquis de Sade, but rather Pierre Klossowski’s (1847), Maurice Blanchot’s (1949), Simone de Beauvoir’s (1955), Philippe Sollers’ (1968) and Roland Barthes’ (1971) studies on the work of the Marquis which the filmmaker incorporated, in a fragmented and self-interested way, in his cinematographic project, primarily in the formal and aesthetic planes.

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Published

2018-07-31

How to Cite

Mirizio, A. (2018). The Artists’ Library: Uses of Literary Thought in Film and Visual Arts (1975-2015). 452ºF. Revista De Teoría De La Literatura Y Literatura Comparada, (19). Retrieved from https://revistes.ub.edu/index.php/452f/article/view/27693

Issue

No. 19 (2018): The Artists’ Library: Uses of Literary Thought in Film and Visual Arts (1975-2015)

Section

Editorial

License

All contents published in the journal are protected under a Creative Commons BY-NC-ND license. This corresponds to legislation within Spain, and does not allow commercial use of the texts. It is not possible to modify the contents either.

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Comparative Literature magazine 452ºF [ISSN 2013-3294] is a publishing project coordinated by Asociación Cultural 452ºF, and developed by its Editorial board.



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