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No. 31 (2024): New Realisms in Spanish Literature and Cinema since 2008
No. 31 (2024): New Realisms in Spanish Literature and Cinema since 2008
Published:
2024-07-30
Full Issue
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Editorial
Nuevos realismos en las literaturas y cines españoles desde 2008
Víctor Escudero
3-16
PDF (ES-CAT) (Español)
Monograph
Identitarian Localism in Spanish 21st-century Poetry: New Semiotic Approaches to (Neo)rural Space
Jorge Arroita
19-37
PDF (ES) (Español)
Narrating Tiredness: Body, Work, and Intimacy in El Evangelio, by Elisa Victoria
Paula Romero Polo
38-57
PDF (ES) (Español)
Bitch Writing: Postfeminist Autotheory and Camp Aesthetics
Maribel Rams Albuisech
58-76
PDF (ES) (Español)
Symbolism in Recent Spanish Social Film: Utterly Realist Figures and Genres
Antonio Viñuales Sánchez
77-97
PDF (ES) (Español)
Disease, Trauma, and Memory in Galician Narcofictions
Felipe Oliver Fuentes Kraffczyk
98-109
PDF (ES) (Español)
Miscellaneous
The Weakness of Images. Avant-garde, Survival, and Repetition: A Debate that Returns
Verónica Stedile
111-130
PDF (ES) (Español)
The Ashes of a New Affective Landscape: Language, Love, and Community in Pol Guasch's The Part of the Fire (2022)
Helena Pagán Marín
131-147
PDF (ES) (Español)
Chantal Maillard and the Poetics of Harm. Significations of the Body in Matar a Platón
Sergio Fernández Martínez
148-165
PDF (ES) (Español)
Ways of Producing the Outside: Mario Bellatin’s Public Garden
Pedro Xavier da Cunha
166-183
PDF (PORT) (Español)
Under the Same Skin. Counter-pedagogies of Cruelty in the Short Fiction of Guadalupe Nettel
Juliana Piña
184-203
PDF (ES) (Español)
Bearing Witness for the Other, According to Levinas: Ian McEwan’s Atonement as a Case in Point
Nicolás de Navascués Martínez
204-220
PDF (ES) (Español)
The Uninterpretable in Moby-Dick (1851), by Herman Melville, and in Hijo de hombre (1960), by Augusto Roa Bastos
Rodrigo Andrés
221-238
PDF (ES) (Español)
Plant Assemblages: Exercises of Post-production and Representation in the Poetry Collection Teoría del polen, by Victoria Ramírez
Natalie Marielle Israyy Contreras
239-255
PDF (ES) (Español)
From the Olympic Torch to the Human Bonfire: Space and Violence in El complot dels anells, by Assumpció Maresma
Catalina Mir Jaume
256-278
PDF (CAT) (Català)
“Una experiencia menos uno”. Restoring Benjamin’s Notion of Experience in Valeria Luiselli’s Narrative
Bernat Garí Barceló
279-296
PDF (ES) (Español)
Critic's Notes
The Power of Unnaming: Anti-Adanic Rebellion and Eco-Fiction
Jordi Carmona Hurtado
298-313
PDF (ES) (Español)
Reviews
Reseña de Las voces del texto: teoría, poética y comparatismo europeo
Antonio Díaz Mola
315-318
PDF (ES) (Español)
Reseña de La escritura plural de Miguel Delibes
Micaela Moya
319-325
PDF (ES) (Español)
Reseña de Elsa von Freytag-Loringhoven. La artista que dio cuerpo a la vanguardia
David Torrella Hoyos
326-330
PDF (ES) (Español)
Reseña de Las transiciones políticas en Europa y su relato literario
Marina Patrón Sánchez
331-335
PDF (ES) (Español)
Reseña de La teoría proyectada. Usos de la biblioteca en el cine español del siglo XXI
Marta Piñol Lloret
336-339
PDF (ES) (Español)
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