THE MIRROR STAGE IN L'AMANT, SAVANNAH BAY AND L'EDEN CINÉMA: THE OTHER REGARDING SELF-CREATION

Authors

  • Jacobo de Camps Mora Universitat Pompeu Fabra

DOI:

https://doi.org/10.1344/%25x

Abstract

In view of Lacan’s mirror stage, Savannah Bay and L’Eden Cinéma show us a failure in self-creation – or incapacity to enter into what the psychoanalyst named the symbolic order – which is, finally, surpassed in L’Amant. In this manner, the following article aims to reflect not only the way in which L’Amant’s narrator strengthens her own subjectivity but also the failure of such a process in the other works.

Author Biography

Jacobo de Camps Mora, Universitat Pompeu Fabra

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How to Cite

de Camps Mora, J. (2013). THE MIRROR STAGE IN L’AMANT, SAVANNAH BAY AND L’EDEN CINÉMA: THE OTHER REGARDING SELF-CREATION. Anuari De Filologia. Literatures Contemporànies, (3), 43–53. https://doi.org/10.1344/%x

Issue

No. 3 (2013): Anuari de Filologia. Literatures Contemporànies

Section

ARTICLES

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