Resistances and appropriations. Urban laboratories of social and cultural experimentation in the city of Valencia

Authors

  • Teresa Marín García Facultad de Bellas Artes de Altea, Universidad Miguel Hernández de Elche
  • Enrique Salom Marco Universitat Jaume I Castelló

DOI:

https://doi.org/10.1344/regac2015.1.11

Keywords:

collaborative processes, self-management, instituting practices, urban laboratories, cultural resistance

Abstract

The context of the current systemic crisis has helped to highlight and exacerbate shortages and conflicts caused by inadequate national and local cultural policies. In the city of Valencia (Spain) such policies have generated many and varied answers of a collective nature. In recent decades, an important part of the associative growth in Valencia has been linked to the defense of collective heritage or cultural revitalization of basic infrastructure. In some cases (the Salvem, the Viu, or urban orchards) as a defense and resistance to institutional policy designed for specific neighborhoods or urban areas. In other cases (Solar Corona, La Minúscula, La Calderería, Desayuno con Viandantes, Cabanyal Intim) developing various forms of appropriation of spaces to fill the lack of interest by public institutions. Many of these experiences have become urban experimentation laboratories for social and cultural transformation. These collective initiatives have taken shape in a dense and local network in which there are frequent collaborations between associations, citizens' platforms, groups, and self-managed spaces or media. At present, they are recognized as essential agents of the local cultural management due to their instituting and mobilizing capacity. This paper shows a mapping of cases of small groups and spaces within the Valencian recent context. They propose other ways to create culture, linked to the social fabric and the needs of everyday life. They value affective items as a political catalyst, trying to work with conflicts rather than hide them, building through participation and negotiation.

Author Biographies

Teresa Marín García, Facultad de Bellas Artes de Altea, Universidad Miguel Hernández de Elche

Doctora en Bellas Artes. Artista visual y Profesora Contratado Doctor. Departemento de Arte, Facultad de Bellas Artes de Altea, Universidad Miguel Hernández de Elche (UMH). Responsable del Grupo de Investigación Laboratorio de Interferencias Artísticas y Mediales (IAMLab).

Investiga sobre Cultura Visual, prácticas artísticas y procesos colaborativos, entornos y pedagogías críticas; temas sobre los que ha publicado diversos artículos y una monografía. Su trabajo en los últimos años se ha centrado en el desarrollo de proyectos intermedia y transmedia para la generación de archivos audiovisuales sobre relatos e identidades afectivas y procesos de resistencia cultural. Actualmente desarrolla los proyectos colectivos: CCCV (http://cccvlab.com) y Petit Comité de Resistencia Audiovisual (http://petitcomitederesistencia.wordpress.com/)

Enrique Salom Marco, Universitat Jaume I Castelló

Historiador

Published

2015-12-28