El nómada y el exiliado. Consideraciones sobre la pintura, a partir de Zambrano y Deleuze

Authors

  • Antonio Castilla Cerezo Universidad de Granada (Granada)

Keywords:

María Zambrano, Gilles Deleuze, Painting, Exile, Nomadism

Abstract

In the work of María Zambrano painting is more closely linked to the feeling of stillness, so that the exile would be exorcized. However, the deployment of this idea leads to a contradiction that this author does not cease to recognize. The intention of this article is to show how the theory of Gilles Deleuze on painting and his speech concerning the nomad can be used to dissolve this contradiction.

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Published

2021-02-21

How to Cite

Castilla Cerezo, A. (2021). El nómada y el exiliado. Consideraciones sobre la pintura, a partir de Zambrano y Deleuze. Aurora. Papeles Del Seminario María Zambrano, (15). Retrieved from https://revistes.ub.edu/index.php/aurora/article/view/29611

Issue

No. 15 (2014): María Zambrano y otras filosofías del exilio II

Section

Article

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