Derrida and the cinema (hunting for the visible)
DOI:
https://doi.org/10.1344/Aurora2022.23.9Keywords:
Derrida, cinema, spectrality, trace, mechanical reproductionAbstract
This paper tackles Derrida’s relationship with cinema and his reflections on it from three different, though related, points of view: 1) his experience, since childhood, as a ‘non-expert’ viewer; 2) his ‘learning’ as an actor in front of the camera; and 3) his work and thoughts as a writer and philosopher.
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Published
2022-02-28
How to Cite
de Peretti, C. (2022). Derrida and the cinema (hunting for the visible). Aurora. Papeles Del Seminario María Zambrano, (23). https://doi.org/10.1344/Aurora2022.23.9
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Copyright (c) 2022 Cristina de Peretti
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