Improvisation in the films of actor/ author Jacques Derrida

Authors

  • Francisco Salvador Ventura University of Granada

DOI:

https://doi.org/10.1344/Aurora2022.23.11

Keywords:

Film and philosophy, Derrida, improvisation, actor, author

Abstract

The concept of improvisation is used as a reasoning element by Derrida in his three cinematographic performances: GhostDance, D’ailleurs Derrida and Derrida. In each of his appearances, improvisation is approached from different perspectives and helps define the way he contributes to the making of all of those movies. Derrida’s improvisation show us, also, the extent to which he intends to use cinematography as an essential tool to make viewers participant in his ideas. 

Downloads

Published

2022-02-28

How to Cite

Salvador Ventura, F. (2022). Improvisation in the films of actor/ author Jacques Derrida. Aurora. Papeles Del Seminario María Zambrano, (23). https://doi.org/10.1344/Aurora2022.23.11

Issue

No. 23 (2022): María Zambrano y el cine II

Section

Puentes

License

Copyright (c) 2022 Francisco Salvador Ventura

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The authors who publish in this journal agree to the following terms:

  • Authors retain copyright and grant the journal the right of first publication.
  • Texts will be published under a Creative Commons Attribution License that allows others to share the work, provided they include an acknowledgement of the work’s authorship, its initial publication in this journal and the terms of the license.