In sonorous Hell with María Zambrano

Authors

  • Carmen Pardo Salgado Universitat de Girona

DOI:

https://doi.org/10.1344/Aurora2015.16.7

Keywords:

Hell, Music, Orpheus

Abstract

The nexus between different kinds of hell and music in Zambrano lead us to show, firstly, the relationship between music of the soul and sensitive music in her work. Secondly, the text analyzes the sensitive music that Zambrano listens to—her soundscape—and then the sonorous landscape of contemporary music. Here the figure of Orpheus serves as a guide to interrogate, thirdly, the image of the modern Orpheus and his descent into daily hell. Through this, the work of Stravinsky, Birtwistle, Jerez and Iges allows us to trace a dialogue with the thought of the Malagueña philosopher. 

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Published

2021-03-16

How to Cite

Pardo Salgado, C. (2021). In sonorous Hell with María Zambrano. Aurora. Papeles Del Seminario María Zambrano, (16). https://doi.org/10.1344/Aurora2015.16.7

Issue

No. 16 (2015): María Zambrano. Perspectivas I

Section

Article

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