Of delirium: shots and sequences

Abstract

This article offers an ordered list of the most relevant materials of our study, carried out during the recent confinement, of the relationship between images and words in the deliriums that Zambrano wrote of, considered in their double register: as a form of literary expression, and also as a threshold of consciousness. The basis of the exercise would be a certain cinematographic gaze, more attentive to the strength of the image than to the form of meaning, which has been assumed to be singularly suitable for dialogue with Zambrano’s deliriums.