No. 22 (2021): María Zambrano y el cine I

Article

• The dreamer and the seer. Notes on post-war Italian cinema, from Deleuze and Zambrano

  Antonio Castilla Cerezo

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• María Zambrano’s “El hombre y lo divino”: Ethics beyond Nietzsche, aesthetics with Antonioni

  Paul Cella

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• The confession: a cinematographic genre

  David Ferragut

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• Ghosts of something: “Claros del bosque” (Glades of the forest) and Spanish cinema of the transition

  Carlos Losilla

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• Vocation and rebirth of a clown

  Manuela Moretti

  • PDF (Italiano)

• Of delirium: shots and sequences

  Miguel Morey

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• Vision at its summit: “The clearing method"

  José Manuel Mouriño

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• A minor genre? Dreams and cinema

  Antolín Sánchez Cuervo

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• Cinema and Bergsonian drifts in the thought of María Zambrano

  Pamela Soto García

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• Italian neorealism: the gaze and the mystery

  Joaquín Verdú de Gregorio

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Reviews

• Reseñas

  Antonio Colinas, Miriam Gómez Vegas, Natàlia Rodríguez Inda

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• Full Issue

  Revista Aurora

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