(In)visible Bonds: Dorothea Smartt's Caribbean in Catalan

Authors

  • Maria Grau Perejoan Universitat de les Illes Balears
  • Gemma Garcia Parellada
  • Mar

DOI:

https://doi.org/10.1344/Lectora2021.27.27

References

Brathwaite, Kamau (1975), "Caribbean Man in Space and Time", Savacou, 11-12: 1-11.

Brontë, Charlotte (1847), Jane Eyre, Londres, Smith, Elder & Co.

Busby, Margaret (2019), New Daughters of Africa: An International Anthology of Writing by Women of African Descent, Brighton, Myriad Editions.

Collins Klobah, Loretta i Maria Grau Perejoan (2020), The Sea Needs No Ornament / El mar no necesita ornamento: A Bilingual Anthology of Contemporary Poetry by Women Writers of the English and Spanish-speaking Caribbean, Leeds, Peepal Tree Press.

Hodge, Merle (2002), "We Kind of Family", Gendered Realities: Essays in Caribbean Feminist Thought, Patricia Mohammed (ed.), Kingston, University of the West Indies Press: 474-485.

King, Rosamond S. (2014), Island Bodies: Transgressive Sexualities in the Caribbean Imagination, Gainesville, University Press of Florida.

Rhys, Jean (1966), Wide Sargasso Sea, Londres, André Deutsch.

Smartt, Dorothea (2001), Connecting Medium, Leeds, Peepal Tree Press.

—(2007), Samboo's Grave / Bilal's Grave, Leeds, Peepal Tree Press.

—(2008), Ship Shape, Leeds, Peepal Tree Press.

—(2014), Reader, I Married Him & Other Queer Goings-On, Leeds, Peepal Tree Press.

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Published

2021-10-27

How to Cite

[1]
Grau Perejoan, M., Garcia Parellada, G. and Juárez León, M. 2021. (In)visible Bonds: Dorothea Smartt’s Caribbean in Catalan. Lectora: Journal of Women and Textuality. 27 (Oct. 2021), 337–349. DOI:https://doi.org/10.1344/Lectora2021.27.27.