Messa in estasi: sguardi sul corpo di Teresa
Abstract
Elena Bonelli analiza, a través de elementos de semiótica, estética y gender criticism, el juego de miradas que se crea en la Iglesia de Santa Maria della Vittoria (Roma) entre la estatua de Santa Teresa de G. Bernini, el simulacro de Santa Vittora, un icono de la Virgen María y los visitadores de la capilla romana. Según la autora, la disposición espacial de las tres figuras religiosas no sólo acentúa la curiosidad escópica de espectador situándole en el lugar de voyeur, sino que sugiere también una interesante lectura sobre los modos de inscripción del cuerpo femenino en el discurso artístico y, más en general, en toda la cultura occidental.
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