Tourism&Theatre. To be or not to be?
DOI:
https://doi.org/10.1344/THJ.2019.1.8Paraules clau:
Cultural Tourism, Destination Management, Tourism&Theatre, Touristic Product, Urban DestinationResum
This project seeks to study the Tourism&Theatre phenomenon. The main proposal of the research is to highlight strategies of how an urban destination can make, from its inherent theatre products and theatrical culture, a tourist attraction.
The methodology undertaken has been an exploratory search of qualitative information thanks to exhaustive in-depth interviews with theatrical and tourism professionals and companies. Currently, London and New York are the most successful examples of Tourism&Theatre destinations. However, examples from other western destinations are devising alternatives strategies.
Surprisingly, the conclusion that the project has unearthed is that tourism accessibility is the key to Tourism&Theatre phenomenon. In destinations where theatre is not yet a tourism attraction, tourist managers should focus on making the art form more reachable for tourist consumption (content accessibility, communication campaigns, distribution channels, etc.). Thus, the creation of a tourism accessibility company applied to theatre could be the most feasible strategy to adopt.
Referències
Albertí, X. (2016, June, 20). El turisme a Barcelona: la ciutat com a escenari. [Video file]. Retrieved from: http://www.cccb.org/es/multimedia/videos/el-turismo- en-barcelona-la-ciudad-como-escenario/224253 (accessed on 15 October 2018).
Barbieri, C. & Mahoney, E. (2010). Cultural Tourism Behaviour and Preferences Among the Live-Performing Arts Audience: an Application of the Univorous- Omnivorous Framework. International Journal of Tourism Research, 12(1), 481-496.
Bennett, S. (2005). Theatre/Tourism. Theatre Journal, 57(3), 407-428.
Chias, J. (2005). El Negocio de la Felicidad. Desarrollo y Marketing Turístico de Países, Regiones, Ciudades y Lugares. (1rst ed.). Madrid, Spain: Pearson Educación, S. A.
Huges, H. (1998). Theatre in London and the Relationship With Tourism. Tourism Management, 19 (5), 445-452.
Gapinski, J. H. (2006) Tourism's Contribution to the Demand for London's Lively Arts. Applied Economics, 20, 957-968.
Kennedy, D. (1998). Shakespeare and Cultural Tourism. Theatre Journal, 50(2), 175–188.
Leguizamón, M. (2013). Impacto Turístico del Festival Iberoamericano de Teatro de Bogotá. Pasos. Revista de Turismo y Patrimonio Cultural, 12 (1), 73-87.
Loukia, M. & Amalia, K. (2014). Ancient Greek Drama and its Architecture as Means to Reinforce Tourism in Greece. Procedia - Social and Behavioral Sciences, 148, 573-578.
Osácar, E. (2017). Cómo poner en valor el patrimonio cultural y natural en proyectos turísticos. In L. Coma & J. Santacana (coords.), Ciudad educadora y turismo responsable.. Gijón: Trea.
Smith, A. (2013, 4th of November). Theatre is a greater driver of tourism than sport – VisitBritain report. The Stage. Retrieved from https://www.thestage.co.uk/ news/2013/theatre-greater-driver-tourism-sport-visit-britain-report/. (accessed on 15 October 2018).
Theatre in Paris (n.d.). Theatre in Paris. Retrieved from https://www.theatreinparis.com/. (accessed on 15 October 2018).
Zieba, M. (2016). Tourism flows and the demand for regional and city theatres in Austria. Journal of Cultural Economics, 40 (2), 191–221.Descàrregues
Publicades
Com citar
Número
Secció
Llicència
Drets d'autor (c) 2019 Lluís Santamarta Espuña
Aquesta obra està sota una llicència internacional Creative Commons Reconeixement 4.0.
L'autor/a que publica en aquesta revista està d'acord amb els termes següents:- L'autor/a conserva els drets d’autoria i atorga a la revista el dret de primera publicació de l’obra.
- Els textos es difondran amb la llicència de Reconeixement de Creative Commons, la qual permet compartir l’obra amb tercers, sempre que en reconeguin l’autoria, la publicació inicial en aquesta revista i les condicions de la llicència.