Il Personaggio Invisibile. Etnografia di un processo di creazione teatrale

Authors

  • Flavia Kremer

Abstract

This article aims to inquire about the critical potential of a theatre play through the uses of anthropological tools and question some concepts from the anthropology of performance through fieldwork within a rehearsal process. The article is divided in two parts: in the first I discuss critically some concepts of the work of Victor Turner and present a critic by Renato Rosaldo, which will lead to the questioning of some of these concepts. The second part is an ethnography of a rehearsal process of a theatre company in Rome (Italy). Departing from Rosaldo’s work and based on the analysis of the rehearsal process I conclude with questioning Victor Turner’s concept of “social drama”.

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Published

2010-03-26

How to Cite

Kremer, F. (2010). Il Personaggio Invisibile. Etnografia di un processo di creazione teatrale. (Con)textos: Revista d’antropologia I Investigació Social, (3), 39–60. Retrieved from https://revistes.ub.edu/index.php/contextos/article/view/2160

Issue

No. 3 (2009)

Section

Articles

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