Una aproximación didáctica al Guernica de Picasso
DOI:
https://doi.org/10.1344/ebre38.2003.1.17782Keywords:
Guernica, Pablo Picasso, Painting, Didactics, History of ArtsAbstract
This article presents an approximation to the Guernica by Pablo Picasso making a special point of its possibilities for studying the technique of painting and the relationship of the creative act with knowledge of the History of Arts. At the same we present a work model which begins with a look at the problems in observation in order to reach the interpretation and research in themes which the student and teacher choose.
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