BEAUTY: ICONOLOGY AND DESIRE – REFLECTIONS ON AESTHETICS OF ARTS AND LITERARY OBJECTIVIZATION. LESSING’S EMILIA GALOTTI

Authors

  • Patrice Djoufack Leibniz Universität Hannover

DOI:

https://doi.org/10.1344/%25x

Abstract

In Emilia Galotti, Lessing uses two portraits, paintings, to introduce a discussion on beauty, a topic he had approched a few years before in his framework Laokoon. Analyzing these two portraits, I focus my attention on the possibilities of imitation and perception of beauty in literature and show that this central category of esthetics is rather constructed than essential.

Author Biography

Patrice Djoufack, Leibniz Universität Hannover

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Published

2013-01-08

How to Cite

Djoufack, P. (2013). BEAUTY: ICONOLOGY AND DESIRE – REFLECTIONS ON AESTHETICS OF ARTS AND LITERARY OBJECTIVIZATION. LESSING’S EMILIA GALOTTI. Anuari De Filologia. Literatures Contemporànies, (2), 1–20. https://doi.org/10.1344/%x