Explorando el diseño, el sitio y el tema en relación con la participación del arte público: estudio de caso del parque Āb-o-Ātash en Teherán

Autores/as

DOI:

https://doi.org/10.1344/waterfront2020.62.6.9

Palabras clave:

Teheran, Āb-o-Ātash, diseño, sitio, tema, compromiso público

Resumen

Este artículo es el resultado de una investigación exploratoria sobre arte público en el parque Āb-o-Ātash en Teherán.

Investiga la forma en que los tres elementos de diseño, sitio y tema afectan la participación de la audiencia con las obras de arte público.

La investigación se ha llevado a cabo a través de métodos cualitativos, a saber, observaciones y encuestas discretas. Las obras de arte se han identificado en base a especificaciones extraídas del análisis del discurso
de los conceptos de publicidad y autoría en el arte público

A partir de entonces, las características de las muestras visuales se han procesado a través del análisis de conglomerados con respecto al diseño, el sitio y el tema para ser comparados y relacionados con los resultados de las observaciones del compromiso de la audiencia.

Los resultados proponen una correlación entre los temas de las obras de arte y la participación del público
en el parque Āb-o-Ātash.

Biografía del autor/a

Negar Zojaji, Department of Art Research, Faculty of Art, Alzahra University, Iran.

Negar Zojaji es investigadora en  artes urbanas. Recibió su doctorado en 2019 por la Universidad de Alzahra en Teherán. Ha dado conferencias sobre historia del arte en el Shariaty Technical College de Teherán, y realizó investigaciones y publicaciones sobre arte urbano y creatividad. Actualmente, está trabajando en un proyecto que explora la intersección de las humanidades urbanas y los estudios de género.

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Publicado

2020-07-01

Cómo citar

Zojaji, Negar. 2020. «Explorando El diseño, El Sitio Y El Tema En relación Con La participación Del Arte Público: Estudio De Caso Del Parque Āb-O-Ātash En Teherán». on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration 62 (6):3-25. https://doi.org/10.1344/waterfront2020.62.6.9.