A STATUE FOR EACH TOWN: PUBLIC SCULPTURE UNDER THE NEW STATE (1955 – 1965) 

Most read articles by the same author(s)

• Helena Elias, INTERDISCIPLINARITY IN THE ARTS. MERGING PUBLIC ART, DRAWING AND PROJECT PROCESS. EDUCATIONAL APPROACHES IN ART AND DESIGN COURSES , on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration: Vol. 34 No. 4 (2015): PROCESSES AND PROJECTS. PROCESOS Y PROYECTOS. ISSUES ON THEORY AND INTERDISCIPLINARITY VI
• Helena Elias, Building the Monumental Source Alameda Afonso Henriques (1938-1948) through journals and administrative process , on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration: No. 15 (2010): Public Art in Dictatorships. The monumental fountain of Lisbon
• Helena Elías, A EMERGÊNCIA DE UM ESPAÇO DE REPRESENTAÇÃO: ARTE PÚBLICA E TRANSFORMAÇÕES URBANAS NA ZONA RIBEIRINHA DE BELÉM. , on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration: No. 6 (2004): Public Art and Public Space
• Helena Elias, Inês Marques, The latest public art commissions by “Estado Novo” (1965-1985) , on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration: No. 23 (2012): Public art: from dictatorship to democracy
• Helena Elias, Inês Marques, Carla Morais, Approaching the city through its public art. Development of Monere project in Lisbon. , on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration: No. 4 (2003): Public Art & Urban Design Interdisciplinary and Social Perspectives
• Helena Elias, Da portela a Pedrouços. As obras públicas de Duarte Pachecho e arte na periferia de Lisboa , on the w@terfront. Public Art.Urban Design.Civic Participation.Urban Regeneration: No. 7 (2005): PERIFERIAS PERIFÈRIES PERIPHERIES